eLe (2012)
“eLe” is an interpreter’s album in which Yantó focuses on performing songs by key figures of Brazilian popular music, such as Caetano Veloso, Dominguinhos, and Gilberto Gil. Released under the name Lineker, the album highlights his deep connection to the MPB tradition, emphasizing vocal expressiveness and meaning-making through interpretation.
Prod: Yantó, Chicão, Ivan Gomes (FICC / ProAC)
Cover Art: Gianfranco Briceño, Samuel Profeta
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Verão (2016)
Also released under the name Lineker, “Verão” features compositions by emerging Brazilian songwriters such as Tom Custodio da Luz, Lê Coelho, and Juvenil Silva. The EP presents a sensitive and contemporary repertoire, serving as a bridge between traditional songwriting and more current listening practices, already pointing toward future aesthetic shifts.
Prod: Yantó, Chicão (ProAC)
Cover Art: Gustavo Lemos, Giovanni Pirelli
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LINEKER (2016)
“LINEKER” is the last album released under this name, prior to the adoption of the name Yantó. The record features original compositions alongside songs by Maria Beraldo, Alexei Alves, and Caio Prado, with arrangements that explore experimental textures and timbral and vocal variations, moving between contemporary pop and experimental music. It marks a period of deepening sonic research, addressing themes related to gender and sexuality.
Prod: Yantó, Chicão (ProAC)
Cover Art: Gustavo Lemos, Giovanni Pirelli
São Yantó (2017)
This EP marks the artist’s name transition. “São Yantó” combines electronic music with original compositions, establishing a new aesthetic phase. It is Yantó’s first release with a more prominent electronic production, in which he signs the programming, synthesizers, and beats.
Prod: Yantó, Charles Tixier
Cover Art: Gustavo Lemos, Yantó
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Sítio Arqueológico (2023)
Released under the name Yantó, “Sítio Arqueológico” deepens the relationship between memory, affection, and sonic experimentation. The album brings together Brazilian popular music, pop, and experimental music, creating sensory landscapes based on personal and collective experiences, including the period when the artist returned to his hometown, Bambuí (MG). Yantó composed all tracks, with additional collaborations with Verônica Bonfim, Guilherme Kafé, and Bruna Moraes.
Prod: Yantó, Tó Brandileone
Cover Art: Gustavo Lemos, Alma Negrot
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talho (2024)
In “talho”, Yantó adopts a more intimate and direct approach, revisiting part of the “Sítio Arqueológico” repertoire alongside two previously unreleased songs. The album explores minimalist dynamics, organic textures, and subtlety, featuring guitars by Guilherme Kafé and pianos by Chicão.
Prod: Yantó
Cover Art: Gustavo Lemos, Guilherme Kafé
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BOCA ABISSAL (2025)
“BOCA ABISSAL” is the original soundtrack for the homonymous dance work choreographed by Rafaela Sahyoun for Balé da Cidade de São Paulo, one of Brazil’s most important contemporary dance companies. Conceived from the dramaturgy of movement and stage performance, the album integrates electronic beats, synthesizers, vocal layers, and acoustic percussion, creating a pulsating sonic organism in close dialogue with the body. The work premiered at Theatro Municipal de São Paulo and later toured internationally, including a season at Théâtre de la Ville (Paris), reaching major stages worldwide.
Prod: Yantó
Cover Art: Yantó, Luiz Morana
